Highlights include Dorothy Ashby's "The Moving Finger," Pierre Henry's "Psyche Rock," Roy Ayers' "The Fuzz," Gabor Szabo's "Walking on Nails," and Julie Driscoll & Brian Auger's "Season of the Witch."Įl apogeo del jazz psicodélico fue breve pero innegablemente memorable: una fusión beatífica de jazz, funk, rock psicodélico y raga, la música fusionó Oriente y Occidente en una explosión de sonido y sensibilidad magníficamente trascendente y alucinante. The end result is mind-expanding music with no real antecedent or, sadly, descendant, in an otherworldly marriage of wah-wah guitars, celestial keyboards, swirling sitars, and sinuous drums further distinguished by harps, vibes, and everything else under the sun. The aptly titled Psychedelic Jazz: 16 Smoking Tunes culls some of the best and rarest performances from the movement's late-'60s/early-'70s peak, a moment in time when jazz fed not only on its own innovations but also embraced the hippie counterculture, radical politics, and Eastern mysticism with unprecedented fervor. The heyday of psychedelic jazz was brief but undeniably memorable: a beatific fusion of jazz, funk, psychedelic rock, and raga, the music merged East and West in a gorgeously transcendent and tripped-out explosion of sound and sensibility.
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